Wednesday, December 29, 2010

BHEEMA PARVAM


BHEEMA PARVAM
Malayalam play
Inspired by MT’s Randamoozham
Script, Designs and Direction: Samkutty Pattomkary
Performed by Wings Cultural Society, New Delhi
To be performed at the prestigious Mahabharata Festival (Jayam)
of the Indira Gandhi National Centre for the Arts, New Delhi
on February 18, 2011 at 6.30pm at IGNCA, New Delhi.
This production has been made possible by the co-operation of a wide circle of Malayalees residing in Delhi and Kerala, and will certainly be a historic event for Delhi, may it be due to its sheer magnitude, or may it be due to the number of Malayalees involved, or even the number of people acting.

You are cordially invited.


Cast:
Bheeman -Anil Prabhakaran
Yudhishtiran -Satheesh KG
Arjunan -Mohd. Musthafa
Nakulan -Sheron KPR
Sahadevan -Shan Rahman
Gandhari -Deepa VK
Kunthi -Hima S
Draupadi -Hameeda CK
Draupadi (image) -Silpa Ravi
Hidimbi -Sandhya Sankar
Kattalathi -Seema MP
Thozhi -Vandana MV
Krishnan/ Vidurar -Siddik Rabiyath
Sanjayan/Kripar -Vinod KK
Dhritharashtrar -Rajagopal
Purochanan/Kattalan 1 -Vinod PV
Kattalan 5 -Umar
Khanakan/Kattalan 2/Dronar -Santhosh MV
Ghatolkachan -Babu CK
Ekalavyan/Kattalan 3/
Naga Guru -Manoj Thejaswini
Arjunan/Kattalan 4 -Manaf KK
Group-1 ,Naga -Tarique Hameed
Group-2/Kripar team -Manish Kumar
Group-3/Kripar team -Uday Bharadwaj
Group-4/Hidumban -Raj Kumarjavascript:void(0)
Young Bheema -Sudev S Nair
Young Duryodhanan -Vishnu Anil
Young Karnan -Athul Babu
Young Dussasanan -Rahul Krishna
Young Ghatolkacha -Deepasree

Credits:

Set : -Tarique Hameed, Uday Bharadwaj
Property:- Bhasi Dwaraka
Music: -Premjish, Hima s, Satheesh K G, Sandhya Sankar
Light : -Jose Koshy
power point : Aparna Eswaran
Light Assist: -Kiran Pawar
Stage manager -Santhosh M V
SM Assistants -Siddik Rabiyath, Manoj Thejaswini
Directorial Assistants- Vinod Kumar B

Special Thanks to: Prof. Omchery NN Pillai, Dr. Sreekala S, Delhi Malayalee Association, Janasanskriti New Delhi

Thursday, November 04, 2010

Ranga Adyayana Kendra, presents MAHACHAITRA (Kannada Play)

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


rehersal

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


rehersal 1

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary


taken on mobile phone

Ranga Adyayana Kendra, Kundapur, Karnataka presents Prof.H.S.Shivaprakash’s MAHACHAITRA (Kannada Play) Designs& Directed by Samkutty Pattomkary

Badal Sircar's ANT NAHIN, Hindi play,

“Ant Nahin” analyzes the politics and social content of writing and the writer. How deep could the contradiction between the social being and the political being be? There is a perpetual internal trial that one has to face constantly due to this conflict. It is in this constantly burning lava that the writer’s creativity is refined. Writing thus becomes an allegory of the struggle and the martyrisation of the writer. Sumant is a poet who, at the zenith of his success, looks back and finds himself at the crossroads of the discourse between Art and social commitment. On this path he has to face his deep-rooted emotions in the form of his mother, lover, comrade, mentor and employer, in their different shades and layers. Yet these painful experiences are justified through the angle of his life-partner Sumati. Finally his humane sincerity as an intellectual is justified over conceptualizations of so-called social justice. In essence the play addresses the political upsurges of the mid-60’s and its consequences.























Wings Cultural Society has been conceived with the idea of presenting social issues through meaningful theatre. It aims to spread awareness in society through exchange of ideas, and through raising debates relevant to our times. Workshops, seminars, debates and audio-visual shows form a part of our efforts to engage in socially relevant theatre and generate introspection and debate.

The group was invited to participate/stage its productions by Jamia Milia Islamia, IIC and 21st Urdu Drama Festival, UrduAcademy, Delhi.

Jaisi Karni Waisi Bharni (dir. Firoz Z Khan), White Nights/Rajat Ratein (dir. Soumyabrat Choudhury), and Ant Nahin (dir. Samkutty Pattomkary) are the successful productions of the group.

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew; Adaptation, Designs & Direction – Samkutty Pattomkary

Badal Sircar’s Ant Nahin ; Translation – Ram Gopal Bajaj & Ms. Rati Bartholomew ; Adaptation, Designs & Direction – Samkutty Pattomkary